D-Dur Dykes*’ Current Track Crush

D-Dur Dykes*’ Current Track Crush

Beautiful Boy The Last Dinner Party (2024)

Photo © Queer Festival Leipzig

Co-founded in 2024 by singer-songwriter and vocal coach Theresa Zanon, also known as Terry, D-Dur Dykes* has quickly grown into what is now considered Europe’s largest FLINTA* (German acronym meaning women, lesbians, intersex, non-binary, trans and agender people) choir. What started as a small idea shared among friends evolved almost overnight into a collective of more than 200 singers, with hundreds more waiting to join. The choir brings together women, lesbians, intersex, non-binary, trans and agender people from Berlin, united by the desire to sing together—across generations, backgrounds and, as they emphasise, across all ages and vocal ranges.

Theresa Zanon, Photo © TJ Johannisson

Yet D-Dur Dykes* is about far more than music. The choir was created as a space where queer people can use their voices collectively—sometimes literally for the first time. Rehearsals have become a place of community-building and mutual support, reflecting a wider desire for spaces where queer identities are actively celebrated.

Their repertoire consists exclusively of lesbian and queer pop, drawing from artists such as Chappell Roan, girl in red, Fletcher, Sam Smith and Ebow. In a cultural landscape where queer stories are still often pushed to the margins, singing these songs together becomes a gesture of recognition.

Photo © Julia Sellmann

Part of the choir’s appeal lies in its refusal to become overly polished or exclusive. What matters here is not technical perfection but collective harmony while building a queer community. Whether performing at community events, fundraising for queer causes or filling concert halls with hundreds of voices, D-Dur Dykes* has become a reminder of what can happen when people gather around shared experiences.

Photo © TJ Johannisson

We asked the choir for their track crush and the vote ended in a tie. Members couldn’t pick just one, landing equally on “Unholy” by Sam Smith and “Beautiful Boy” by The Last Dinner Party. Both have turned into rehearsal favourites, each bringing its own flavour to the choir's queer pop world.  While “Unholy” has become a collective favourite for its (very) dramatic energy and (very) powerful harmonies, “Beautiful Boy” comes with a bit of history too: back in 2024, the choir shared a stage with The Last Dinner Party in Berlin—a night that still comes up whenever people talk highlights.

Start the conversation

Become a paid member of The Rest to gain access to the comments section.

This post is exclusively for subscribers of The Rest. However, if you have friends in need of a little boost today, go ahead and share this with them. Especially if you believe they might be interested in joining The Rest as a subscriber in the future. Thanks!

Archive

Our archive is constantly growing. Since February 1st, 2024 we add a song and an interesting story about it, every weekday.

Subscribe